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Wednesday, 24 September 2014

Rediscovery of Wu (A poem)


Woman; where art thou? Where have you been all my miserable life? 
Have you been standing in front of me all this while? 
Yet I failed to acknowledge you. O how I missed out. 
Was I blinded by money? Was I submerged in work? 
How could I have been too busy to see you, to notice you? 
To notice how the colour of your blouse matches with your hair ruffle, 
To notice how you use two complementary colours of eye shadow to add extra pizzazz to your eyes 
To notice how your hairdo is different from that of last week 
To notice your soft and well-toned skin 
To notice how fresh you still look after a hard days work 
I wonder how you manage to balance your life on those six inch heels 
You add colour to my existence 
Tis you who straightens my gait. Tis you who keeps me refined. 
Tis you who gives me drive. 
Without you, without “wu”, there is no man 

illwill 

Monday, 8 September 2014

10 TIPS ON HOW TO BECOME A GREAT LYRICIST

 Another article from some years back. Enjoy


10 TIPS ON HOW TO BECOME A GREAT LYRICIST


Hi people, I've come to understand that there are four major elements that make up a good song. They are: good vocals/voice, inspiring delivery, exceptional instrumentals/beat, and outstanding lyrics. One or a combination of these four can make you a hit song. In this article I am going to give you a few pointers from research and personal experience on how to become a first class lyricist. I hope you enjoy it.

1. Inspiration
This is the spirit of all creation. It is the bright light in your head that gets you writing lyrics. It is the fuel that runs your creative engine. It is what keeps you excited about writing. It could also be the driving force to achieve a personal goal. As a matter of fact, I had always wanted to write this article but I didn't have the inspiration until now.
Inspiration comes from different sources like praying, drinking, dreams, music, silence, drugs, reading, smoking, desires, places, and so on. It is advisable to seek the healthier sources, and note that inspired works flow more easier, and are almost always better than works that are done out of knowledge and experience.

2. Read Wide
Reading improves vocabulary. It would give you a wider range of topics to write on. You would learn how to manipulate words to suite the information you want to get across. This reminds me of the bible passage that says, "what a joy it is to find the right word for the right occassion" (Proverbs 15: 23). The more you know the more you can write, so endeavour to read lyric books, novels, literary works of art, the Bible, Q'uran, Dictionary, newspapers, magazenes, cartoons, anything that passed through an editor.

3. Write
In the movie "Finding Forrester" (year 2000) played by Sean Connery (007) and Rob Brown, Sean Connery's character, William Forrester said, "the first key to writing is to write". In essence what he was trying to say is that you should put your pen to paper and write; don't think too much, don't be lazy, just write. Even if the lyrics you wrote don't look so good keep writing until the inspiration starts flowing; that is how you improve. I once read an article that said a rapper should write about 200 bars (a bar is a unit of time in music) everyday. I also read another article that said that, before you can write a good song you need to have written about a hundred songs.
Writing is good mental excercise. Steven Covey describes it as one of the last noble arts because you don't only have to cristalize your thoughts and ideas and put on paper for your consumption, but other people's understanding as well.
These days people mostly make dance songs because they feel that other genres wont sell. I am of the opinion that the reason is that they can't write good songs like ballads (Listen to Adele or Dido's work).

4. Listen
When listening to songs, try to take time to digest and analyze the lyrics. This might not be as easy as you think, because the mind tends to wonder from place to place so we hardly ever concentrate fully on what we are listening to. A down side to this is that you might now realize that a song you liked is not realy as good as you thought.But it is good excercise. Listen to a variety of quality songs. Find out how their lyrics were composed, what the singer was trying to say, how they were able to convey their message. you would now discover why artistes like Tupac, Notorious B.I.G, U2, Lauryn Hill, The Beatles, etc were world renouned artistes.

5. Have a Theme or Topic
Do not write haphazardly, even if the inspiration came that way. You should have an underlying theme. You do not want to confuse the listener. Write about things you know; things you have seen.You should aim to paint a vivid picture with words (listen to Stan by Eminem or Trapped in a Closette by R. Kelly). There are about eight major subject matter for songs. These are: Love, Pain, Death, Friendship,Work, Special/Unusual people, Music, and Money. All other subject matter are derived from this eight. Note that lyricism is an art, which means they must not be confined to rules. These are just guidelines.

6. Enrich your Lyrics
One of the ways you can do this is by writing in rhyme. This technique is employed in poems to keep them memorable and interesting. Two words are said to rhyme when they sound alike (for example: boy and toy). The rhyming words are used at the end of each bar, at the end of each bar couplet, or in any other combination that generally sounds good. In my opinion, the more rhymes you use without reducing the beauty, the flow and the message, the better.
For Instance:
                        i'm a man on a mission, to liberate the masses,
                        to educate the classes, to impregnate the lassies,

(lad means boy while lass means girl). You should also enrich your lyrics with metaphors, word play, doble entendre, and other figures of speech you learnt in your elementary English. Use them where necessary, not forcibly; and where you can, each song/verse should have an introduction, body and conclusion.

7. Simplify
Keep your lyrics as simple and plain as you can, especially the chorus. This is not a hard and fast rule but note that simple lyrics are easier to grasp and remember. Use complex lyrics and big words only when they add to the meaning and beauty of your lines, not because you are trying to flaunt the verbosity of your grammatical arsenal (....hope you catch my drift). When I say simplify, I don't mean you should be lazy or write weak lyrics. As a matter of fact, the best and most difficult lyrics are those that are simple and yet are laden with beauty, message and depth. You can listen to country music (Rascal Flatts, Garth Brooks, Shania Twain) to better understand what I am talking about.

8. Language
Write in languages you speak well. In these languages you would be able to express yourself fully and beautifully; using the right words that aptly express your thoughts and feelings. Note that communication is not only about speaking but about people understanding you as well. If you must write in a language you don't speak so well, ensure you get someone who speaks the language very well to listen, proofread, or even write the lyrics for you.

9. Entertain
This is where skill, experience and even luck comes in. You might be a very skilled writer, but a question you should constantly ask yourself is this, "are these lyrics interesting?". Very few people write lyrics for their personal use; they also write for some form of reward or recognition from others, hence, people need to like your lyrics; they need to be interested; your lyrics should entertain them. Keep this point in mind and you are well on your way to becoming a great lyricist. Always be on the look out for buzz words/topics you can use in your lyrics, and where you can, add some humor.

10. Revise
When you are done, go through your lyrics again. Correct all mistakes, ensure the words flow, ensure there is cohesion, check if the message is being passed in the best possible way without undue repetition and using too many unnecessary words. Almost always you would see something that needs change or improvement. There's a thin line between a good lyricist and a great lyricist; it's in the details.


            The truth is, not everybody listens to lyrics. Some people prefer to just hear a nice tune they can vibe to, with nice vocals. But for people who are insightful, people who crave inspiration, people who love rhetoric and for the music connoisseurs, you have to add good lyrics to the equation. There isn't enough space to elaborate on all these tips but if you work with what you have above, you are sure to see massive improvement in your lyric writing; I know i have.

            A few artistes whose body of work have very good lyrics: Foreign - Drake, Eminem, Beyonce, Nas, Bruno Mars, Damien Marley, and Jill Scott. Local - Asa, M.I., Modenine, Sound Sultan, Banky W, Wande Coal, 9ice.

























10 TIPS FOR MAKING TIGHT HIPHOP BEATS

This is an article from 2011 or 2012 but i think the info is still relevant. Enjoy


10 TIPS FOR MAKING TIGHT HIPHOP BEATS
BY
ILLWILL

Howdy folks, I'm going to make this as brief as possible so that you can go back to your tweeting and facebooking. Let me start by saying that, in hiphop production (as in music generally), there are no rules; any song can become a hit, like "Sample", for example (pun intended), by Stereo Man, so do not be afraid to think outside the box. These are just a few pointers to help the newbies get to the promised land a little faster.

1. PASSION
Every great thing in life was achieved by drive and pasion. Passion is what keeps you going when there seems to be no positive result, so if you are not passionate about making music, then do not go into it.

2. KNOW YOUR WORK STATION
Find out about the different work stations and select the one that best suits you. If you like a raw sample based beats you might prefer a drum machine (rarely found in these parts) or FL Studio. If you play the keyboard and like synths you might prefer Protools or Reason, and if you want to play live then you are too advanced for this article (C ya l8r alig8r).

3. LISTEN
Listen to the beats of many hiphop producers. Some of the popular hiphop producers in Nigeria are Sosick, Venomous, Kraft, Ex-O and Sars (Joor oh!). When listening to a beat, always try to disect it and listen to the sound and arrangement of the individual tones (I remember Chobhams telling me this back in 2004).

4. QUALITY PERCUSSIONS
The kick and snare/clap are the foundation of almost every hiphop beat. Ensure you use quality one to bring out the Bang-in-the-Beat (Don't forget to compress). If you are using wave samples ensure that they are 16bit - 44.1Khz or above, and use interesting kits and drum patterns (like the one used for Wizkid's "Don't dull"). If you can't get good samples then "bite" the ones you like from existing songs using Sound forge or Cool edit pro.

5. TONE SELECTION
This is what makes the difference. If your tones/voices are cheap and weak, that's exactly how your beat would sound, cheap! and weak! You can get good tones from sample CDs, Hypersonic, Logic and Protools. And always look out for tones that would be the "ear candy" in your beat.

6. DYNAMICS AND ARRANGEMENT
Music is a combination of organized sounds, so always arrange your beat professionally: decongest the beat for the verses, then you can add more patterns/riffs in the chorus, add or remove patterns during the song for dynamics and effect, and always remember that a good beat enhances the artiste and not the other way round.

7. COPY (BUT DO NOT PHOTOCOPY)
I know this sounds unethical but my philosophy is that there is nothing new/original under the sun. It would also help you make beats (and improve) faster, and your customers are even going to ask you to make beats that sound like, say, Timbo or Kanye.  But be careful to add your own twist/identity/idea/swag to the beat to make it your own creation (and to avoid getting sued for copyright infringment) and remember, if you get caught, I know you not (hey that rhymes, i should use it in my next song) lol.

8. HAVE YOUR OWN IDENTITY
When you have found your feet in production, try to create tight beats that people can identify with you. There is nothing as good as people being able to pick your beat out in a line-up. DJ Premier is known for scratching vocal samples in choruses, Kanye west is known for his sampled percussions and creative use of samples, even Terry-G has a particular synth he uses that can be identified with him.

9. READ
If you want to make it as a producer, you have to be up to speed with the latest equipment, plug-ins, production techniques, mixing techniques and so on. If you can't find a good book on production/beat making, there are many articles online that you can read. A good place to start is looperman.com or modernbeats.com. Remember, leaders are readers.

10. FEEL THE GBEDU (SOUND)
For me a general rule is that a good beat should make an artiste feel like dropping a verse. If artistes listen to your beat and they are not bobing their heads or kicking some freestyles (how ever wack they may be), then you need to go back to the drawing board, or your work station in this case.

          With these few tit bits you should be making platinum selling beats (you can send some of the DOE to my account) and getting groupies around you or your studio, but remember that success in life is not achieved by what you know, but by what you do, so be a "doer of the word" and put these things into practice. Hola @ yo Boi

          ILLWILL is a hiphop artiste, he studied mechanical engineering at the University of Lagos. He currently works as a producer and mastering engineer for Hybreed Studios in Lagos Nigeria. Follow ILLWILL on twitter >> @illwillbeats